The most important light settings are: Brightness Distance, which has a big impact on the look of volumetric light when using fog Contact Refinement, which does exactly what the name implies and the shape settings, which scales the light caster and affects the sharpness of cast shadows. Each light type in Marmoset has common settings and light-specific settings.
Import into Marmoset Toolbagīrightness, Distance and Contact Refinement are the most important light settingsįor the next two material/lighting scenarios, we need lights. You’ll be able to tweak curves and levels, add noise, glow and various camera effects such as depth of fi eld and distortion.įirst, we want to get as close to what we saw in VR as possible and then work from there. None of the programs have any built-in post-processing features, and this is where Marmoset comes in handy. Both programs enable you to paint in VR, without any light sources or material types. The first models we’ll be setting up are from Quill, but the principle is the same with AnimVR. Marmoset uses a hierarchy of elements which lets you, for example, drag a light source under a camera to make it a ‘child’ of it. We’ll talk about each element in detail as we need them. The most important elements are lights, camera settings and rendering settings. If you have a big scene and you experience camera clipping, just go to the camera settings, head to Lens and drag the Near Plane slider until your scene shows up correctly (opens in new tab)
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